The 'everything' EQ I was on the fence about purchasing this plugin. I desperately needed a solid parametric EQ as my 'go-to's' were leaving something to be desired - especially in the higher frequencies (5k and up). After reading the reviews and demoing the plugin extensively, I decided to bite the bullet.
I'm so glad I did. The Cambridge puts every other parametric EQ in my plugin folder to shame. It can do everything from surgical EQ work to broad stroke boosts and cuts, all handled with ease.
The high and low pass filter options are UNREAL! I have never heard a filter set with so few phasing issues.
Add to it that the plugin only consumes 1% DSP power per instance and it's no wonder this little gem has risen above the rest of my EQ's. I use a variety of different eq's and this one was recommended by a colleague. My original intention was to use it for a specific purpose but frankly I've ended up using it all over the place - it's as at home on a channel strip as it is on the output bus.
It's one of those plugins that seems to have its own sound - a warm & slightly tubey hifi quality. Wherever I've used it it just seems to make everything sound. I know that's not a particularly helpful technical analysis, but it's the best way I can describe it.
Things just sound nicer. Highly recommended.! Cambridge EQ Plug-In After buying the UAD- 2 Octo Core question arose about the equalizer as a working tool in my work. Heard a lot of good things about Cambridge EQ Plug-In.
Very versatile can be used to track channel and master. Immediately decided to try. Comparing Eq Channel included in the program Logic Pro 9 so badly disappointed. So many years have used this Eq Channel but when compared with Cambridge EQ Plug-In - Hi Pass filter is not correctly cut the lower frequencies. Had to choose cutoff frequency only was more audible effect. Cambridge EQ Plug-In when choosing the same value immediately heard his work. A subtle and precise tool!
![Downloads Downloads](/uploads/1/2/3/8/123812149/251193221.gif)
The cambridge eq is is my 'Go To' Eq plugin UAD’s Cambridge EQ is very similar to Sonnox’s Oxford EQ in terms of its colourful graphic layout as well as functionality. Cambridge wins me over with its pristine yet warm sound quality.
This EQ is often described as being “surgical”. Indeed it does provide a really detailed, flexible set of parameters, which are pretty intuitive to handle. But the analog sweetness that can be achieved with just gentle curves is what really impresses me with this plugin. When it comes to EQ, I'm a bit of a control freak. Broad, colorful EQs have their place, but more often than not, I need something surgical too. For a long time, the Cambridge was the only EQ UA had that could do surgical, and frankly for that purpose it's a bit too colored for my taste. So why four stars?
The filters on this thing are amazing, and offer unmatched control. Like the rest of the Cambridge they're not uncolored, but with care they can do awesome things. While the upcoming Brainworx BX Digital will largely supplant this plugin for me, and 88RS is a better surgical EQ, for someone with a just a UAD-1 this plugin is still a no-brainer for the filters. Firstly I own a Crane Song Ibis, hardware.
I looked hard and listened hard to the Sonnox eq trying it out as you do. I had been looking into UAD Omni for some time and unfortunately no trials which is understood. I had Pro Tools 7 through 8.4 and except for the later 8.4 the plugins were, well, agricultural and not a pro vibe. All promises and little joy. I read countless reviews of all software equipment and trialed the big name eq's of the time.
The vibes I got on the UAD software although in minor numbers were definitive and when I got together my courage and purchased the whole Omni I was not disappointed. The Cambridge eq, to my ears does everything in a musical fashion, it does everything well except make shrill edgy highs and muffled lows. The Cambridge eq is in control of what audio passes through it and the test is what feeling you get when you listen to the audio passed through it.
The Sonnox to my ears is the other eq that passed my tests and I think the Cambridge most certainly is up there in it's own space. I have no need to purchase Sonnox now, I think the Cambridge is wonderful. I have to say here that I recorded to tape for many years and although in pro studios it was a Studer 24 track, at home it was just a Tascam 38.
Well when I heard the Cambridge I thought my journey for gear that sounds good and does what it was designed to do was over. This puts it in a nutshell really. A Fantastic EQ!
The filters are amazing. I just finished mixing the new Clint Eastwood Film. The score was made up of a 60 piece orchestra featuring 2 Harps, Solo Piano, Acoustic Jazz Bass and 2 Acoustic guitars( Nylon and Steel string). All playing live in the same.
The Cambridge EQ was used on all featured instruments. Using the Filters to clean up any unwanted low end rumble or noise. And EQ for carving Harps were filtered at 80hz as well as the Acoustic guitars. Some carving EQ on the harps at 300 hz with some top added 1db @ 8k an 5.6k to the guitars for some sparkle. Revenge full movie.
The Piano high mic was rolled off at 50 hz the low at 30hz. This was only EQ applied to the Piano. Jazz Bass 2db @ 63Hz and 1.5 db @ 2.4K. Fantastic, Rob.
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The 'everything' EQ I was on the fence about purchasing this plugin. I desperately needed a solid parametric EQ as my 'go-to's' were leaving something to be desired - especially in the higher frequencies (5k and up). After reading the reviews and demoing the plugin extensively, I decided to bite the bullet. I'm so glad I did. The Cambridge puts every other parametric EQ in my plugin folder to shame. It can do everything from surgical EQ work to broad stroke boosts and cuts, all handled with ease. The high and low pass filter options are UNREAL!
I have never heard a filter set with so few phasing issues. Add to it that the plugin only consumes 1% DSP power per instance and it's no wonder this little gem has risen above the rest of my EQ's. I use a variety of different eq's and this one was recommended by a colleague. My original intention was to use it for a specific purpose but frankly I've ended up using it all over the place - it's as at home on a channel strip as it is on the output bus. It's one of those plugins that seems to have its own sound - a warm & slightly tubey hifi quality. Wherever I've used it it just seems to make everything sound.
I know that's not a particularly helpful technical analysis, but it's the best way I can describe it. Things just sound nicer. Highly recommended.!
Cambridge EQ Plug-In After buying the UAD- 2 Octo Core question arose about the equalizer as a working tool in my work. Heard a lot of good things about Cambridge EQ Plug-In. Very versatile can be used to track channel and master.
Immediately decided to try. Comparing Eq Channel included in the program Logic Pro 9 so badly disappointed. So many years have used this Eq Channel but when compared with Cambridge EQ Plug-In - Hi Pass filter is not correctly cut the lower frequencies. Had to choose cutoff frequency only was more audible effect.
Cambridge EQ Plug-In when choosing the same value immediately heard his work. A subtle and precise tool!
The cambridge eq is is my 'Go To' Eq plugin UAD’s Cambridge EQ is very similar to Sonnox’s Oxford EQ in terms of its colourful graphic layout as well as functionality. Cambridge wins me over with its pristine yet warm sound quality. This EQ is often described as being “surgical”. Indeed it does provide a really detailed, flexible set of parameters, which are pretty intuitive to handle. But the analog sweetness that can be achieved with just gentle curves is what really impresses me with this plugin. When it comes to EQ, I'm a bit of a control freak.
Broad, colorful EQs have their place, but more often than not, I need something surgical too. For a long time, the Cambridge was the only EQ UA had that could do surgical, and frankly for that purpose it's a bit too colored for my taste. So why four stars? The filters on this thing are amazing, and offer unmatched control.
Like the rest of the Cambridge they're not uncolored, but with care they can do awesome things. While the upcoming Brainworx BX Digital will largely supplant this plugin for me, and 88RS is a better surgical EQ, for someone with a just a UAD-1 this plugin is still a no-brainer for the filters. Firstly I own a Crane Song Ibis, hardware.
Uad Drivers
I looked hard and listened hard to the Sonnox eq trying it out as you do. I had been looking into UAD Omni for some time and unfortunately no trials which is understood. I had Pro Tools 7 through 8.4 and except for the later 8.4 the plugins were, well, agricultural and not a pro vibe.
All promises and little joy. I read countless reviews of all software equipment and trialed the big name eq's of the time. The vibes I got on the UAD software although in minor numbers were definitive and when I got together my courage and purchased the whole Omni I was not disappointed. The Cambridge eq, to my ears does everything in a musical fashion, it does everything well except make shrill edgy highs and muffled lows. The Cambridge eq is in control of what audio passes through it and the test is what feeling you get when you listen to the audio passed through it.
The Sonnox to my ears is the other eq that passed my tests and I think the Cambridge most certainly is up there in it's own space. I have no need to purchase Sonnox now, I think the Cambridge is wonderful.
I have to say here that I recorded to tape for many years and although in pro studios it was a Studer 24 track, at home it was just a Tascam 38. Well when I heard the Cambridge I thought my journey for gear that sounds good and does what it was designed to do was over. This puts it in a nutshell really. A Fantastic EQ! The filters are amazing. I just finished mixing the new Clint Eastwood Film.
The score was made up of a 60 piece orchestra featuring 2 Harps, Solo Piano, Acoustic Jazz Bass and 2 Acoustic guitars( Nylon and Steel string). All playing live in the same. The Cambridge EQ was used on all featured instruments. Using the Filters to clean up any unwanted low end rumble or noise.
And EQ for carving Harps were filtered at 80hz as well as the Acoustic guitars. Some carving EQ on the harps at 300 hz with some top added 1db @ 8k an 5.6k to the guitars for some sparkle. The Piano high mic was rolled off at 50 hz the low at 30hz.
This was only EQ applied to the Piano. Jazz Bass 2db @ 63Hz and 1.5 db @ 2.4K. Fantastic, Rob.
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![Uad Cambridge Rapidshare Downloads Uad Cambridge Rapidshare Downloads](https://files.plugin-alliance.com/products/dangerous_bax_eq/images/carousel/BaxEQ-01.png)
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I have been using the Kjerhaus Classic series for several years now. They're a decent bundle. I don't think they're stereo? Maybe they are.
Either way I like them. Recently I've been using the ReaDelay. I like it that it tempo sincs. But I'm not thrilled with the sound at times. Other times it's fine. Still on the search though.
Any others that are great? For my master limiter I use the Kjerhaus Classic Master Limiter and it'd decent when I use it right. Anything else out there that works well? Seems like with ProTools a lot of people still use DVerb even with all of the good plugins out there. It's a simple but good reverb.
Seems like the ReaVerb is also pretty good. I usually setup a short to medium reverb send that is panned almost left and a longer reverb that's almost right. This seems to give a nice stereo spacious effect. But is there something else I should know about? I've found in ReaVerb (with Pipeline Audio IR files) the one and only reverb I'm going to need in the next years.
I also find the other Cockos VSTs (specially the compressor and EQ) very good sounding, with a simple but effective interface. I just dont really need anymore. Thanks, Cockos!
What are the Pipeline IR files? Also, I looked at the Mega free VST only thread. I have a lot of that so I must have seen that in the past. One thing I noticed though is a B3 emulator called Nubi LE and Spinner LE. I tried the links I found posted and they didn't get anywhere. Any tips on that?
I'm currently using Organized Trio and though it's ok I'm always a little annoyed at the realism especially with the Leslie on fast. They've improved it but they charge for it. I'm trying to keep things on the free or cheap. What are the Pipeline IR files? Also, I looked at the Mega free VST only thread. I have a lot of that so I must have seen that in the past. One thing I noticed though is a B3 emulator called Nubi LE and Spinner LE.
I tried the links I found posted and they didn't get anywhere. Any tips on that? I'm currently using Organized Trio and though it's ok I'm always a little annoyed at the realism especially with the Leslie on fast. They've improved it but they charge for it. I'm trying to keep things on the free or cheap. The developer very unfortunately quit offering these some time ago. You might try these links I dl'ed something like the original NuBi & spinner from there a couple years back.
I do have AND prefer the original NuBi to the Organized Trio but use the McDonald Leslie simulator (from the same guy who offers the OrTrio) instead of the Spinner. McDonald sounds better to me and is still available. For EQ, Compressor and Delay, I'm using the FabFilter Mixing Suite. They are fairly expensive plugins.
However, in terms of sound and especially the interface, they are unmatched. I also like that they use unobtrusive licensing and that they support all the standard formats. They have great demo videos on YouTube. They also have a highly-rated limiter plugin called Pro-L but I have never used it. For reverb, I'm still using WizooVerb W2, a convolution reverb that was discontinued many years ago.
It is 32bit only and the only reason why I haven't upgraded to 64bit yet (it doesn't work well bridged in my experience). I have tried all the popular reverbs hoping to find a modern replacement.
But I have never found another reverb which sounds as good. 2CAudio Breeze It is an algorythmic reverb. The samples on the 2CAudio website sound absolutely fabulous.
I have yet to try it with Reaper (or investigate their licensing / activation policies) but it very well could be the reverb that makes me give up on WizooVerb. For reverb, I'm still using WizooVerb W2, a convolution reverb that was discontinued many years ago. It is 32bit only and the only reason why I haven't upgraded to 64bit yet (it doesn't work well bridged in my experience). I have tried all the popular reverbs hoping to find a modern replacement.
But I have never found another reverb which sounds as good. 2CAudio Breeze It is an algorythmic reverb. The samples on the 2CAudio website sound absolutely fabulous. I have yet to try it with Reaper (or investigate their licensing / activation policies) but it very well could be the reverb that makes me give up on WizooVerb. Have you checked out Valhalla Room for an algo verb? The thing is with these kinds of questions is that everyone will recommend what they use and as no one has EVERY plugin then you can't get a proper answer. With that in mind I will recommend the plugins that I use daily.
Delay: Rob Papen Delay - Ohmboyz Delay - UAD Space Echo. Reverb: UAD Plate 140, Dreamverb, IR's used in a free player. Compressors: Nebula Pro 3 (multiple libraries) UAD - Fairchild, LA2A, The Glue. I have tried many plugin over the last 12 years and including many mentioned in this thread and these are the ones I use every day.